Answer :
The improper comparable evaluation is Option d). Igor Stravinsky and Josquin Desprez both chose folk songs because they are simple to interpret and have danceable rhythms. In the medieval cathedral or convent, women were not permitted to dance, so Stravinsky resorted to ballet.
Numerous avant-garde elements, such as experiments with tonality, metre, rhythm, stress, and dissonance, may be found in Stravinsky's score. Analysts have recognized a strong foundation in Russian folk music in the score, a connection Stravinsky sought to downplay. Under the woodwind melody in Spring Rounds, a strong bow ostinato that alternates with offbeat pizzicato (plucked strings) is used (0:23).
Each measure in Stravinsky's rhythmic vocabulary appears in the Glorification of the Chosen One and the Sacrificial Dance. Despite the fact that he produced works of art in nearly every genre, he is most remembered for the ballet music he wrote for Diaghilev's Ballet Russes, including The Firebird, Petrushka, and The Rite of Spring, the premiere of which memorably resulted in a riot.
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Correct Question:
Compare and contrast Stravinsky's The Rite of Spring as a depiction, in music and dance, of primitive tribal rituals, with the information on medieval religious services in the monastery and cathedral found in Chapters 4 and 5. Which one of the following comparative evaluations is INCORRECT?
a. Hildegard of Bingen thought of herself as a mere vessel through which divine revelation passed; she described herself as "a feather floating on the breath of God." Similarly, Stravinsky said, "I am the vessel though which The Rite of Spring passed." Both composers saw their music as something bestowed from a higher source.
b. Hildegard of Bingen, by composing chant that avoids a regular meter and catchy rhythms, attempts to create a ritual experience that allows the listener to enter an almost otherworldly state. Stravinsky, using pounding, syncopated rhythms, tries to create a nother kind of ritual experience, in which the listener is almost assaulted by the rites of an early pagan religion.
c. Monophonic chant, with flowing melodic lines and fluid rhythm, could create a timeless and meditative atmosphere in a medieval chapel or cathedral, especially when sound waves reverberated off the bare stone church walls, creating a rich sonic environment. Stravinsky's The Rite of Spring, using the pounding of dancers' feet on a stage or on an arena floor, could cause the entire space to reverberate with rhythmic energy. In sum, in both cases the acoustic ambiance of a place of performance is as much a part of the performance as the music itself.
d. Folksongs were used by Josquin Desprez and Igor Stravinsky because the words of folksongs are easy to understand and the rhythms are easy to dance to. Women were not allowed to dance in the medieval cathedral or convent, so Stravinsky turned to ballet.